I decided to help my good friend from school Sheila Playford in the last block week with the end of term exhibition. Done every term, students are encouraged to help with a display of their work.
You may submit 3 pieces and 2 students who volunteer organise said pieces into a coherent show that allows 'us' to sell our work for a small commission.
Open to the public it is also nice to present your work to more than fellow students, teachers and family. You can learn to 'mount' and frame your work, publicise and display your pieces and receive feedback from the general public in the form of 'peoples choice' and the comments book.
It is a safe way of getting your work 'out there' with the school providing the vehicle. It is a time commitment of 6-12 hours depending on what you volunteer for, hanging works, distributing flyers, being floor walkers on opening night and over the weekend and finally packing up the sold items and taking down the rest and preparing the walls for next time.
It was a scary thing to put forward my first piece my first term (the 'recycle' canvas) and I went into help with the clean up of the exhibit on the first monday of the school holidays, but I did it almost every term, with a couple of terms helping on hanging weekend to. TLC provided the lunch and I got to meet other students and learnt alot about exhibition layouts. ( It helped me with my own solo and 'This is us' exhibits)
I feel that this is an important step for artists who want to start to sell their work and should be part of the compulsory curriculum of students above the certificate level.
Thank you Shelia for doing a sterling job on my last exhibit at TLC, it was a privilege to work with and for you.
Sunday 30 March 2014
New Zealand Academy of Fine Arts - Naked exhibition
I submitted and had accepted two pieces to take part in the New Zealand Academy of Fine Arts "Naked" exhibition that ran from March 15 to April 6. I had planned on entering two of my mirror pieces but discovered that to be eligible the piece had to have been completed in the last 12 months. This ruled out several of my nudes.
I was really pleased when I entered the gallery to discover that my mirror work was on the first wall that you saw when you entered the gallery.
My second piece (oil on canvas) was further back in the gallery.
I was really pleased when I entered the gallery to discover that my mirror work was on the first wall that you saw when you entered the gallery.
My second piece (oil on canvas) was further back in the gallery.
Saturday 29 March 2014
Diploma With Honours - Term 8 2014 Mains
Last term! Don’t believe it, these 4 years have just rushed by. I am
so grateful to have been given the opportunity to explore my creative side.
It has been a privilege to have been able to take this time, to
paint, to have had access to such a high calibre of tutors and to rub shoulders
with such talented artists that the TLC attract.
Monday - Plain air painting – Thomas Robson
Of the first Monday we went to the very restful taita cemetery and
returned to it one other time. We also went down to the silverstream overbridge
and Trentham memorial park. There were plenty of beautiful vistas to render in
watercolour, and oil but I was not enamoured with the results of my efforts, I
think mainly because although I love the’ landscape’ of New Zealand, I feel my renditions
of it does not do it justice, and to keep my interest I need to put in the
human element somewhere.
My most successful pieces were an oil that I treated like
watercolour by adding alot of archival lean to, recording the houses
surrounding the cemetery and 3 little canvases showing houses within the
landscape.
Wednesday – Painting – Roger Key
Ran out of time to try
impasto block week so I decided to extend my still lifes into the mains classes
and do some fruit using this paint additive (from archival, an Australian make)
that does not affect the colour but allows faster drying time even if you apply
it thickly. I use One canvas that I split into 4 panels, I ‘killed’ the white
of the canvas using acrylic paint and had fun with it!.
I think the pieces
would have been better much bigger and maybe I will, the frugalness in me
appreciated the paint extender even though Roger feels its cheating and you
shouldn’t have to add anything to your paint!
Friday – Sarah Brock
I decided to extend the impasto painting into a portrait and I don’t
think its too bad. I choose a subject I took a photo of but didn’t know well,
so I did not get hung up in getting a likeness, as it was painting with impasto
demanded a larger canvas than I had so I applied to her Hat and dress only.
I think it important to take your own reference photos and with the
dandilions there was alot of mucking around getting the focus right and getting
close enough detail to suit me.
Every time I have an idea for a painting I doubt whether I can paint
it, so every canvas is an exploration of my abilities and whether the idea was
a good or frustrating one. You can’t know what the public might find alluring
enough to put down good money for so really if you’re in this for making money,
there are easier ways that are less damaging to your sycee. You can only paint
what is of interest to you, and with every one you do, get a little better and
go a little further and get a little more inspiration. If people like it and
I’ve only had positive feed back, that’s a great encouragement, if they buy it, well
what a privilege to have your work part of them! And it helps with getting another canvas to work
on.
People have asked where to from here, does this time lead to a job
and money coming in steady? No probably not, but it has resulted in me wanting
to keep going, hopefully always having something I’m working on, cluttering up
the house and maybe creating a body of work for another solo exhibition in the
near future?
Monday 27 January 2014
Diploma with Honours - Term 8 2104 Block Week
Drawing with Paint – Sarah Brock.
Sarah wanted to cover three painting techniques this week. The rub
out, the dry brush and the impasto methods.
I had done the rub out method
before but not with still life and I hit on an idea using fruit and veg. How
far do you have to go before someone recognises a chillie if you don’ paint it
red? So a blue chillie, a purple tomato? A red lemon and a green cherry, no
sketching on the canvas just apply the paint and liquin mix to the whole canvas
(this is your mid tone) and then rub away for highlights add straight colour
for your darks to produce a tonal portrait, when you mix the paint with liquin
you have a limited time to get a likeness before the paint dries.
Thursday 5 December 2013
This is Us - Exhibition December 2013
Sarah Brock is so supportive of her students!
After a conversation with her two terms ago wishing to put a pop up
gallery into the empty shops I saw in Upper Hutt, she spoke to Carrie Burke who
had a contact at the Lower Hutt City Council who made my wish come true! Eight
students of Sarah’s put together an exhibit of our work at 129 High Street
Lower Hutt and it all went so well.
We each had talents outside our obvious
artistic ones that helped put together the month long show.
I spent the block
week, with others, painting a bright orange wall white to exhibit on, made a
fabric banner and helped curate the space.
‘This is Us!’ opened the 5th
December with an evening bash. We manned it and worked in the gallery, created
a space for children to express themselves with pastels and promoted a
community art piece for the City Council.
We changed it round after two weeks
and had very positive feedback from many who walked in the door, some
regretting that there was not a permanent community gallery, aside from The
Dowse, helping local artists.
We each sold a piece during the month, which was
a marvellous incentive for all of us to keep on painting and I am indebted to
Cindy from the Lower Hutt City Council for her wonderfully generous help, the
Learning Connexion for their good relationship with the council and supplying
us with equipment and Sarah who gave her experience and time so freely. I would
also like to thank the landlord for the use of his shop.
Monday 4 November 2013
Diploma with honours - Term 7 2013 Mains
Monday Thomas Robson
With all plans of mice and men against the elements, they fall. In
the hopes of some plain air Mondays I gathered together the paraphernalia of a
watercolourist. Ha, next term says Thomas, so what to do? I utilised the photos
taken from the field trips of block week and I continued with my primary colour studies,
going back to oils.
Wednesday Roger Key
Still trying to get me to use
more paint and not paint what I see, I endeavoured to paint white and movement,
Still using the watered down paint (with turps) from last term for backgrounds,
but thickening up with the foreground white, I went back to portraiture
focusing on white communion dresses and wedding frocks. What he did like was
when I went thick messy and less figurative – Question - how much of a figure
do you need to paint before someone recognises it as someone? Answer - Surprisingly not much
Friday Sarah Brock
Sarah always has a plan to her term, but is sensitive to her
students personal artistic journey, adapting the lessons she wants to impart. I
try to fit my personal goals around what she’s teaching so I don’t miss out on
her wisdom, I do however have an idea on what I could do in class before we
start so I can ‘hit the ground running’ so to speak and not waste days
formulating a plan. Sometimes that works and sometimes I change direction on
the run.
I started the three dancers in her class and I
tried to keep the whole thing painterly, free and unfinished – things suggested
not explained, of course Roger suggested I did not go far enough hence the
pirouette 1 and 2.
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